DIGITAL PHOTOGRAPHY & IMAGING - WEEK 11

 

Week 11(9/6/22)
Student: Tai Ser Yeet (0345798)
Programme: Bachelor of Design (Honours) in Creative Media
Task: Project 2B- Digital Imaging Exercise Part 2


LECTURE      

Fig 1.1 Lecture Slides, Week 11 (9/6/22)

PRACTICAL

For this week's practical class, Mr. Martin taught us the ways to animate in Adobe Photoshop. Below are the few exercises we did:

SUPERGIRL
Fig 1.2 Mask Girl from Background, Week 11 (9/6/22)

Fig 1.3 Remove Girl from Background, Week 11 (9/6/22)

Fig 1.4 Convert Girl to Smart Object, Week 11 (9/6/22)

Fig 1.5 Making the Girl Fly, Week 11 (9/6/22)

Fig 1.6 Adding KeyFrames, Week 11 (9/6/22)


FINAL GIF (SUPERGIRL)

Fig 1.7 Final GIF of Supergirl, Week 11 (9/6/22)


GIRL WITH CAT

Fig 2.1 Duplicating Image, Week 11 (9/6/22)

Fig 2.2 Removing Girl From Background, Week 11 (9/6/22)

Fig 2.3 Masking out Foreground (Grass), Week 11 (9/6/22)
 

Fig 2.4 Erasing the Residue of Foreground To Obtain Background, Week 11 (9/6/22)


Fig 2.5 Separated Different Grounds, Week 11 (9/6/22)


After obtaining the different grounds, animation was applied to the following. 

FINAL GIF (GIRL WITH CAT)

Fig 2.6 Final GIF of Girl With Cat, Week 11 (9/6/22)


YOGA GIRL

Fig 3.1 Removing Girl From Background, Week 11 (9/6/22)


Fig 3.2 Animating Yoga Girl, Week 11 (9/6/22)


FINAL GIF (YOGA GIRL)

Fig 3.3 Final GIF of Yoga Girl, Week 11 (9/6/22)



INSTRUCTIONS


Fig 4.1 Instructions For Final Project, Week 11 (9/6/22)

FINAL PROJECT - POSTER DESIGN 

ATTEMPT #1

RESEARCH 

For this task, Mr.Martin instructed us to first write a brief self-introduction followed by our passion, motivation, and visualization of our artwork. Below are the screenshots from the template given:

Fig 4.1.2 Biography Questions, Week 11 (9/6/22)


Fig 4.1.3 Statements About Poster, Week 11 (9/6/22)


While I was brainstorming ideas on how to create a very unique composition whilst also incorporating the art of surrealism, a brilliant idea popped into my head and it was a poster with an over-shoulder shot of myself looking at my reflection in the mirror. I thought it was pretty different as typically seniors from BDCM merely mask them from the front view. Not to mention that most of the outcomes were cheerful and vibrant whereas mine would very much be contrasting.

INSPIRATION

As stated in the answers above, I wanted my poster to be based on a horror theme therefore blood will definitely be present. Generally, the flow of the animation would be starting off with a colorful image of myself looking at the mirror in the foreground whereas my reflection would be looking at the camera in the background. After that, the mirror would begin to glitch. During that moment, my facial expression would change to a poker face and dark red blood would roll down both cheeks. To incorporate more red into the poster, the quote is written on the mirror using red lipstick, similar to Fig XX.  

1. Angles
Here are some over-the-shoulder shots of individuals staring at their reflection in the mirror. Also, I particularly aim to replicate Fig XX just because the lighting was how I envisioned it which makes it more suiting for a reference picture. Besides that, it is also a horror-themed photograph.


Fig 4.1.4 Reference Image 1, Week 11 (9/6/22)(Source: Mearaj, n.d.)


Fig 4.1.5 Reference Image 2, Week 11 (9/6/22)

If I had a cracked piece of glass, I could pursue this specific composition but I do not therefore I would have to compromise by utilizing my vanity mirror.

Fig 4.1.6 Reference Image 3, Week 11 (9/6/22)(Source: Unsplash) 


2. Text & Motion

I would like for the blood to flow down similar to the movie poster (See Fig XX). 

Fig 4.1.7 Reference Image 4, Week 11 (9/6/22)(Source: Netflix, 2019) 


As for the chosen quote, the spray can effect combined with the choice of red is what I imagined having on my surreal poster. 

Fig 4.1.8 Reference Image 5, Week 11 (9/6/22)(Source: Netflix) 


3. Surrealism Posters/ Senior's Works

Fig 4.1.9 Compilation of Senior's Works, Week 11 (9/6/22)

Fig 4.2 My Favorite Senior's Works, Week 11 (9/6/22)(Source: Mr.Fauzi)

SKETCHES

My idea describes a girl that looks cheerful and innocent on the exterior but when you get to know her for long, she eventually turns into an odd and creepy individual.

Fig 4.2.2 Sketch 1 & Sketch 2, Week 11 (9/6/22)

PHOTOSHOOT SESSION

Fig 4.2.3 Over-The-Shoulder Shot, Week 11 (9/6/22)

DIGITALISATION ON PHOTOSHOP

I began by importing my images into Photoshop and started masking out necessary areas according to my sketches.

Fig 4.2.4 Removing the Wall, Week 11 (9/6/22)

Fig 4.2.5 Removing Reflection of Myself In the Mirror, Week 11 (9/6/22)

In Fig XX, I masked out my reflections for both pictures so that I was able to switch the mood from a happy-go-lucky moment to a more serious and creepy tone. 

Fig 4.2.6 Masking Out My Reflection, Week 11 (9/6/22)

FEEDBACK 
Mr. Martin told me that the entire concept of my idea was not a poster and requested to rethink it again. Furthermore, the reference images I found in regard to my inspiration also did not meet the requirements of a poster. However, he liked the theme behind my design though. 

I was disappointed because I knew that I needed to restart the whole process once more which would be time-consuming. Nevertheless, I never gave up and proceeded with Attempt 2. 


WEEK 12

ATTEMPT #2

RESEARCH 

Fig 4.3 Biography Questions, Week 12 (16/6/22)

Fig 4.3.2 Statements About Poster, Week 12 (16/6/22)

INSPIRATION

SURREALISTIC POSTERS

I particularly lean towards the idea of having a book as a portal to the Harry Potter world so I found references that were similar to that. 

Fig 4.3.3 Reference Images For Surrealistic Poster, Week 12 (16/6/22)(Source: Pinterest)


POSTER  DESIGN 
Fig 4.3.4 Reference Images For Poster Design, Week 12 (16/6/22)(Source: Pinterest)

SKETCHES

Fig 4.3.5 Sketch 1 & Sketch 2, Week 12 (16/6/22)

PHOTOSHOOT SESSION

I took 3 different sets of photos with head-turning in opposite directions to represent the feeling of curiosity.

Fig 4.3.6 A Shot of Myself Walking With Back Facing Camera, Week 12 (16/6/22)

DIGITALISATION ON PHOTOSHOP
1. Compiling Images
To start off, I began compiling images that fit the theme of my choice. Below are the reference pictures I used to create my posters.  

Fig 4.3.7 Images for the StoryBook, Week 12 (16/6/22)

Fig 4.3.8 Images for the Pathway, Week 12 (16/6/22)

Fig 4.3.9 Images of Dragons, Week 12 (16/6/22)

Fig 4.4 Images Harry Potter Characters, Week 12 (16/6/22)


Fig 4.4.2 Images for Background, Week 12 (16/6/22)

Fig 4.4.3 Hogwarts' Castle, Week 12 (16/6/22)

2. Importing Images & Masking 

Next, I imported all the images into Photoshop and started by masking out all elements I wanted in each image. 

Fig 4.4.4 Masking Storybook, Week 12 (16/6/22)

Fig 4.4.5 Masking Foreground Me, WWeek 12 (16/6/22)


Fig 4.4.6 Masking Background Me, Week 12 (16/6/22)


Fig 4.4.7 Masking Mid-Ground Me, Week 12 (16/6/22)


Fig 4.4.8 Masking Hogwarts' Castle, Week 12 (16/6/22)


Fig 4.4.9 Masking Dragons & Wizards On Broomsticks, Week 12 (16/6/22)

3. Arranging Layout According to Sketches

Later in order to get a rough idea of the compositional layout, I then created a pre-layout. 

Fig 4.5 Creating a Pre-Layout, Week 12 (16/6/22)

After that, the process of photoshopping the elements in the narrative begins. In Fig 4.5.2, I warped the image of a punched paper into the shape of the page on the right. Next, a solid brown color layer is placed on top and blended with the Linear burn option.

Fig 4.5.2 Making A Portal In Storybook, Week 12 (16/6/22)


Fig 4.5.3 Adding the Dragons, Week 12 (16/6/22)

Fig 4.5.4 Warping the Stone Pavement Onto the Road, Week 12 (16/6/22)

Fig 4.5.5 Experimenting with Different Color of Skies, Week 12 (16/6/22)


Fig 4.5.6 Warping Storybook Page Onto Blank Page, Week 12 (16/6/22)


4. Adding additional elements

Fig 4.5.7 Adding Fog, Week 12 (16/6/22)

I realized that the color of my dress was almost camouflaged in with the stone pavement. Hence, in order to solve the problem, I added a color fill on top of my clothing and change its color to purple. After that, I selected the Soft Light Blending option.

Fig 4.5.8 Changing Color of My Dress, Week 12 (16/6/22)

Fig 4.5.9 Masking Out the Grass & Placing On My Poster, Week 12 (16/6/22)


FEEDBACK 
Mr.Martin stated that the photo of myself is badly lit and suggested that I shoot outdoors instead of indoors. 

In order to prevent reshooting again, I returned to Photoshop and added a solid skin color layer onto the darker areas (calves). After that, using the blending mode, I select the 'Soft light' option to give a subtle highlight. 

Fig 4.6 Changing Color of My Dress, Week 12 (16/6/22)

WEEK 13
ANIMATING IN AFTER EFFECTS
After completing the poster, I imported the Photoshop file into After Effects and retain all the compositional layers.


1. Importing Layers & Organising them

Since there was quite a bit of 'Color Fill' & 'Adjustment Layers' clipped onto the regular layers, I have decided to organize it according to colors as well as compiled related ones into a pre-compositional layer. The red layers were ones that I do not need to animate whereas the yellows are the ones I would like to animate.

Fig 4.6.2 Color-Coordinating the Layers & Pre-Compositing, Week 13 (23/6/22)

Since there were 3 wizards flying in the sky, I made them all fly in various directions and levels in order to give variation to the animation. Not only that, I also made it more realistic by creating a floating effect. For context, I have selected the wiggle rotation and wiggle position under the effects tab and adjusted the speed from there.
Fig 4.6.3 Animating the Flying Wizards, Week 13 (23/6/22)


Fig 4.6.4 Animating Clouds & Fog, Week 13 (23/6/22)


Fig 4.6.5 Progressional Video, Week 13 (23/6/22)


FEEDBACK 
First off, Mr. Martin suggested decreasing the sharpness of the red dragon by 0.05 and desaturating the color of the dragon. As for the animation, the dragon flapping its wings and tilting its head in a subtle manner is ideal. There must be shadows for the 3 clones of myself to make the design more believable. Also, I should decrease the contrast for the image of myself in the mid-ground. The animation for Harry Potter's entourage was too much. Instead, just make all of them float in mid-air. Lastly, he wants us to add an adjustment layer to the poster design.

After his feedback, I made the necessary changes starting with the shadows.

Fig 4.6.6 Adding Shadows To My Clones, Week 13 (23/6/22)


Fig 4.6.7 Removing Legs from Wings, Week 13 (23/6/22)

Fig 4.6.8 Masking Out Jaws of Dragons, Week 13 (23/6/22)
 

Fig 4.6.9 Removing the Wings from Body of Dragon, Week 13 (23/6/22)

I used the Puppet warp function to animate a still image. In-depth, I had placed three dots onto the wing: one to ground the entire wing, two to allow movement in the middle, and the last one which merely tags along with the second dot.

Fig 4.7 Puppet Warp Both the Wings, Week 13 (23/6/22)
 

Fig 4.7.2 Puppet Warp the Jaw, Week 13 (23/6/22)


FINAL SUBMISSION OF POSTER DESIGN

Fig 4.8 Final Submission of Poster Design, Week 14 (30/6/22)


FINAL SUBMISSION OF ANIMATED POSTER DESIGN

Fig 4.8.2 Final Submission of Animated Poster Design, Week 14 (30/6/22)


FEEDBACK 

Week 11- Attempt 1 Poster
Mr. Martin told me that the entire concept of my idea was not a poster and requested to rethink it again. Furthermore, the reference images I found in regard to my inspiration also did not meet the requirements of a poster. However, he liked the theme behind my design though. 

Week 12- Attempt 2 Poster
Mr.Martin stated that the photo of myself is badly lit and suggested that I shoot outdoors instead of indoors. 

Fig 5.1 Week 12's Feedback From Mr. Martin, Week 14 (30/6/22)


Week 13- Animated Poster

First off, Mr. Martin suggested decreasing the sharpness of the red dragon by 0.05 and desaturating the color of the dragon. As for the animation, the dragon flapping its wings and tilting its head in a subtle manner is ideal. There must be shadows for the 3 clones of myself to make the design more believable. Also, I should decrease the contrast for the image of myself in the mid-ground. The animation for Harry Potter's entourage was too much. Instead, just make all of them float in mid-air. Lastly, he wants us to add an adjustment layer to the poster design.


REFLECTIONS

Making my Harry Potter dream come to life was definitely one to remember. I felt that the final project truly broadcasted the skills I have learned throughout this module and after realizing that, I am very proud of how far I have come. I also learned that not everything has to be extravagant to be wonderful. For example, for my animated poster design, Mr. Martin advised that I only make the wizards on the broomsticks float in mid-air instead of zooming around the canvas. After completing his request, I notice a change in the tone of the design. It looked more professional and mature.


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